pavel ludin returns to poker flat wax with a gripping four-tracker showcasing his myriad of talents. born and raised in eastern siberia, pavel iudin found his way to the underground scenes of moscow and saint petersburg where he firmly established his credentials. the probe ep finds him at the height of his powers, serving up some serious burners. ‘probe 2&#8242,,,, is a throbbing, deep roller with shimmering synths and a shuffling, evolving groove - one for keeping the floor on lock whatever the situation. ‘halo’ has more classic feel to it, clearly a nod to the chicago masters of the 90s, but maintaining a tough and fresh feel that is all ludin’s own. half way though, things really open up into thick, swingy vibe via a killer bassline and snappy percussion. ‘probe 3&#8242,,,, is more acidic outing - although never resorting to the iconic 303, the track is a lysergic journey into dubbed out tech-house. closing out the ep is ‘groundlevel’ - a driving, loopy groover that uses ludin’s feel for atmosphere and tension to the max. the whole ep exudes a steely-eyed mastery of the studio and the dance floor - making pavel iudin one to watch over the next months.

debut ep for loop exposure on zora. both atmosphere and energy are present in these first four tracks from fresh duo loop exposure. cinematic vocals melt with heavy grooves to provide serious dance floor killer suited for any club environment.

from his very first release, johannes volks strict yet creative adherence to the detroit tradition has garnered him a position among the greats. renowned these days as a producer with a seemingly-unending ability to produce classic-leaning futuristic techno, volk has built a serious discography over the past 11 years. for his first token offering, volk goes above and beyond with the 4-track ep designing evolution

current value stands as one of the producers at the very forefront of experimentation - a creator truly reaching the top of his game and one who has walked an unmistakable path across the drum and bass landscape.
consistently delivering a style so unique that it sets him far ahead of the pack, his unique aesthetic is evident in both his unmatched experimentations in synthesis and his trademark finely crafted percussion, combined to deliver a heavy but stripped down modern sound that carries serious weight.

psychemagik are back after a brief hiatus with two solid disco floor burners, the first track gotta hold on me a 12 mins plus hypnotic, soulful disco jam that gets deep under the skin with a groove that gives no mercy. the flip wildman smacks hard with sleazy vocals and a mesmerising rhodes hook, given a contemporary twist with a subtle kick n snare, this 12inch packs serious heat! perfect late night shenanigans.

paul woolford has been seriously spreading his wings of late, becoming omni-present by landing his tracks with ease on labels like xl recordings, running back, houndstooth, hotflush and aus music. not wanting to be shackled by genres, paul comfortably serves up a wide variety of curveballs, from the technoid charge of his 4/4 persuasions to the exhilarating warped hardcore & jungle breaks of his much loved special request project. and so it’s with welcome arms that edible usher him to our release schedule, give him the comfy sofa and let him rip it up with two havoc-inducing cuts that are already a staple in label boss eats everything’s dj sets. title track ‘chaos’ finds paul in a particularly warped mode, bleepy synth pulses oscillate wildly over a granite hard beat as a single sub-bass tone drives the brain-scrambling flurry of modular tones into overdrive. a hydrochloric synth riff settles the bed, but only until the next haul of chaotic blips come firing out of the speakers - highly effective, and possibly deranged warehouse tackle. a future classic. flip side, and woolford shows off some decidedly more soulful chops on ‘meditate . a vocal hook plays against a dubwise bass line and ascending 909 rides, as a seductive and transcendental string arpeggio creeps to the fore and demands a breakdown of its own, serving up a serious bucket load of emotion. not a dry eye in the house.

* mikal takes his first bow for dust audio in the form of the spirited ep . the break and bass craftsman reigns down an assault of almighty weight for the imprint which holds no barred. * off the back of his critically acclaimed wilderness album on metalheadz, mikal continues to seek out the dance floor through his precision target and locks on for a serious assault of the senses. * the ep’s title track “spirited” see’s the sinister intro build up and transform into a bass laden drop. the stepping drums and jungle infused shuffles entwine with the ghost vocal, whilst the modulated bass will move even the harshest drum n bass skeptics. unrelenting throughout. * the flip sees mikal spread his considerable studio talent over two further tunes of constant surprise. low note wastes no time in getting to the drop before you’ve had chance to take a breath. a thunderous one note bass underpins the mid ranged reece and stabs whilst the chunky drums compliment the tidy percussion nicely. a haunting vocal then sets off another 16 bars of unclouded rawness. * linear finishes the ep with aplomb. synth chords open up into what you might expect to be a lovely liquid-esque style roller… think again! mikal takes that premise and turns it upside down and inside out before bringing the dirty funk. keeping in line with the 2 tunes before, this isn’t for the faint hearted. definitely one for the drum & bass purest, who may well be dancing, but will also be taking down mental notes!

duff breaks is composed of 40 breaks and sound effects compiled for easy use in any set or production. a companion for any serious dj or amateur record collector. duff breaks is the frst of an essential vinyl series transforming the sound of music and helping funky beats and drops conquer the world.

next up from organic is one of ibiza’s hottest duos at the moment : 2vilas. making waves on the island, they deliver a set of 4 solid house cuts for our 15th vinyl release. straightforward slamming analog stories full of depth and groove . this is serious dancefloor heat, don’t sleep on this one, limited press, vinyl only!

nyc s legendary west end record label has contributed a fair few classics to the disco cannon and continues to influence dance music today with it s forward looking releases. when you touch me is no exception, recorded and released in the golden year of 1979 and featuring the breathy, sensual vocals of a young tanaa gardner who had previously worked as a backing vocalist for numerous other projects until the label released her (other) stone cold solo classic work that body the same year on 12-. both cuts featured on her self titled debut lp and boasted the combined production and studio talents of kenton nix, bob blank and of course - larry levan. now, that s a serious line-up to have behind the boards (& in the clubs!) and of course when you touch me was a classic with it s slow, elongated intro that calls to mind a sleazier version of donna summer s love hangover before launching into a full-on disco assault that you won t forget in a hurry! yes, the record surprises you, tanaa leads us into a false sense of a slow jam and then - boom - we re off! backed with the incredible instrumental version the 12- is repressed here in it s original 1979 glory, an essential classic that has stood the test of time for the last 30+ years & is now available again, remastered & repressed for 2017 in conjunction with west end records, nyc.

repress 2017 !! after the immensely well received start with blip001, soon enough dj’s and fans alike were banging down the abstract door of blip discs to see what else this new label could have in the pipeline. blip002 comes from label head honcho tom blip in the form of wrong guanco/shekere. these tracks are afro, unpredictable, dj orientated cuts - road tested by dj’s such as bradley zero & werkha, they’ve already been causing serious movements on dance floors up and down the country. due for release soon, blip002 offers another new, exiting artist to it’s roster accompanied by another limited 12” debut.

limited repress
what a day! digwah is back with another essential club bomb. after a very successful first release supported by the likes of ricardo villalobos, the mysterious imprint strikes again with some serious dance floor heat. don t sleep, this is something else!

just a classic, back from 1978 with serious phunin disco madness

crucial heavyweights poldoore and emapea each take on a side of this cold busted 7“ single, the latest in a bi-monthly series of dub / reggae cuts exhumed from the label’s golden vault. belgium’s poldoore commandeers the a-side with an instrumental version of ”this road“, a track originally found on his acclaimed 2016 album the day after. stirringly dubwise, the cut is wet with atmosphere and the ping of spring reverb, as a tuneful horn section carries the main melody. flip the wax for accomplished polish beat-maker emapea and his delightfully skankin’ ”rudeboy“. previously appearing on the in dub 3 compilation, ”rudeboy” showcases emapea’s knack for combining samples from multiple genres into one cohesive, steamy gumbo. with either track, b-boys and natty dreads alike will give the dance floor a serious workout as the needle meets the vinyl.

totes preesh make tracks for your ears. sean marquand and patrick wood of new york city have created these sounds for you and your friends and tooled them to perfection, for your pleasure. whether youre at home, or in the club, or driving around in your car, looking for drugs, you can count on these guys to soundtrack your day correctly. they were featured on 2015s mangiami - la compilation on golf channel recordings, but this is their first 12inch. they are here to make you bump to a cosmic sound that is sexy and pristine, and yet, also feels exactly like two buffalo boys going round the outside, round the outside. double a-side alert. first up head shop boys, a kicky, kinky, neon affair, perfect for late-night debauchery on the flip, haole is a straight up trip with some serious old school new york flavour, and will undoubtedly prove to be the worlds first crossover drive-time club banger.

jurassic 5 flexed serious old-to-the-new muscles in the ‘90s, beginning with their independently released single “unified rebelution” in 1994, and book-ending with their stellar debut full-length: 2000’s quality control. they walked a tightrope between underground and mainstream hip-hop, and toured alongside rap peers as well as punk rockers on the vans warped tour.

ross from friends returns to the lobster pot with a hard skatin, snake evadin’, cherry chompin’ ep of luscious house bangers alongside raw stomping, broken beatdown escapades.
after making some serious waves over the past 12 months with the cult hit talk to me you’ll understand and following with an epic three-person live set, this third ep and sophomore release for the lobster family expands on the rff sound whilst stretching the sound pallet back to encompass the rawer end of the spectrum as seen on his debut for breaker breaker.

22.02.85 is the new album from bastien keb. initially conceived as a concept album about a stripper lost in the city (like a straight-to-video follow up to showgirls), 22.02.85 has a distinctly nocturnal edge to it. the city at night, lost in a crowd, abandoned petrol stations, empty kebab shops, broken florescent lights. like a half-forgotten dream, familiar yet unnerving. he says all the songs are all about girls apart from two about a big lug. you may catch a phrase here and there but the context is all in the feel: there s a melancholy edge, but i don t wanna depress people. sad but hopeful? if that s possible.

fifth interval gather together some of the most forward thinking minds in the dub techno sphere for this various artists ep. those already acquainted with the label will be familiar with the likes of federsen and tomas rubeck, who headed up the first and second releases respectively. they are joined by dub techno luminary brendon moller, aka beat pharmacy and alessandro crimi, for this four tracker of perfectly contrasting arrangements. federsen opens the proceedings with the sunset sequence of bay blues, cascading keys rolling through the gaps in a subtly broken drum arrangement, making for effortless and captivating listening. beat pharmacy contributes his first original material to the label after a brace of remixes last year. showing true mastery of the board, chromed chord stabs are pushed and pulled around the mix in true dubwise style, drifting over a malleable bassline that packs a serious punch. on the flip side, tomas rubeck crafts a tightly woven backdrop of constantly evolving, organic atmospherics and powerful drum work for io, and this muscular workout is perfectly contrasted by the swung grooves and kaleidoscopic synthesis of alessandro crimis fractal clouds, which closes the ep.

retrogott is back on ava. records! following funky beats and a green petrol bus, here comes funky beats and a supersonic turbojet: fresh as usual in a hand stamped color cover!

dope late 80s electro from melbourne. three mixes (including instrumental) of this nuts tune – serious recommendation!

inspired by selfish showmanship of social networks argomat and jen from hannover packed their very own view of things into this release. long live the selfie-stick...not. the b-side is just about misunderstanding. all in all...don t take this release too serious. there is a beat, a bassline, some things around that and essentially again, the really nice voice of jen. with mikel gil (lonely owl records) from spain and label owner gunman we have two fantastic remixes and both are delivering their own perception of music. enjoy :)

we ve all been there, spending endless hours searching, listening, skipping thru tracks and trying to find at least one good one. no more. we ve made it easy for you... tune is all about that one track, the track that will bring the heat. no remixes, radio edits or excess dubs. it s all very simple, one track, one really awesome tune. that s all. the plot thickens, who is theo walbeck?? but maybe it s not that important, after all the music is the key figure and speaks for itself. this is theo s follow up to freek tool which was one of disclosures most played tracks in 2016 and goes down a similar path. in our humble opinion this is an even stronger track and something that is just waiting to get some heavy isolator action. someone 2night got that dark and vintage warehouse feel mixed up with some soulful cut up vocals and lush strings that is just perfect to drop at peak hour. those rumbling drums will cause some serious damage...believe dat!

politics of dancing records celebrate their 3rd anniversary with two vinyl only releases and a digital compilation of unreleased tracks from a pretty impressive line up of confirmed and up and coming producers. the first part to be released sets the pace with four deep house cuts from janeret, d julz, djebali and politics of dancing. janeret s first light is a deep, bass heavy number, with spacy stabs, cut for serious peak time action. d julz offers us a deep tech house killer with sharp stabs and a dubby bass, a timeless one for dancefloors. djebali delivers a fat bumpy deep house tune with his very distinctive stylish and groovy touch, and label bosses politics of dancing drops a deep tracky house piece, with swinging dirty underground vocals and a heavy rolling bassline. this is paris house music firing!

2017 repress! the third release by the dub- techno label >tiefenrausch< brings light to the unexplored depths of the bodensee. the swiss producer >idealist< presents the >expander ep<. right at the start the track >present< combines massiv drumsets and distant chords, creating a gloomy vision of the underwater world. still dreaming, our glance keeps its progressive direction. with ranges of acid sounds and grooving chords, >defective unit< on the b-side lets us resurface here and there perceiving the familiar tweeting sound of a roland. with >tail of two< the idealistfinaly sends us back, comforting and friendly leading the way. one thing becomes obvious, the >idealist< is serious about his business.

lynn williams may not be someone you have heard of but her pedigree is strong. her father was hank ballard (of king and james brown fame) and her mother was 60s miami radio personality and dance group leader vanilla miss boom boom williams. lynn cut 5 excellent 7inches for various henry stone owned miami labels in the 70s here we present her two most collectable. the first it takes two is a smokey deepfunk killer. on the flip dont be surprised is one of miamis best ever deep soul records period, a dark serious ballad pulled off with amazing emotion considering her young years at the time of recording.

limited 2017 repress !!
slamming split ep with baby ford & chloe... super serious stuff

both roberto and his own fossil archive label continue to go from strength to strength. roberto has consistently delivered at dj bookings that have seen him return time and again to the likes of tresor and fabric, while the label has fast become a favourite in dj boxes and amongst techno heads. the label closed 2016 on a high with its first set of remixes from two techno legends, sterac and rolando. and now for the first release of 2017 roberto is thrilled to draft in the refined skills of fachwerk’s roman lindau. roberto has of course released on fachwerk in the past and been featured on the bill on more than one occasion when the berlin label have taken over berghain, so roman is a fitting and very welcome addition to his uk imprint. teaming up for ‘nerinea trinodosa’ on the a-side, roman and roberto’s production styles complement one another perfectly on this solid peak-time offering, bringing a depth and power that continues the fossil archive dedication to raw and unfaltering beats. roberto then goes it alone for ‘triage’ on the b-side, a track which was already featured on alan fitzpatrick’s recent fabric mix cd. with its tough tribal sound and deep bass, there’s some serious funk in the groove, completing another essential release from the fossil archive camp.

theo conard, also known as paxton fettel delivers his second lp on greta cottage workshop. entirely produced by mr fettel its an exemplary mix of predominantly instrumental contemporary jazz funk, sometimes featuring the vocal talents of one olivia lincoln.. from the very beginning it is totally and utterly heartfelt - until the floor churning and brazenly life affirming end his emotions are worn firmly on his sleeve. its a serious embodiment of proper fusion and a testament to a phenomenal producer progressively pushing his work in a playful, honest, admirable and honourable way whilst not taking himself too seriously!

sun, skyy, earth wind & fire..., brooklyn-based igbo (indigo green brown orange) reflect an elemental foundation of classic 70s and 80s funk and soul through a prism of hip arrangements and decidedly modern production befitting the diverse set of talented stage performers and composers they are. a sun-drenched celebration of life and musical positivity, their sonic palette evokes the same brilliant and playful colors as their name, the two songs presented here (on 45 for the first time) bursting with irresistible charm. it s a breath of uplifting fresh air in today s hyper-serious club landscape.

the next chapter of attic music is a propulsive, dark and deep techno ep from st. petersburg’s new talent relic radiation.
loss of logic explain his direction with a moody and cinematic title track full of introspective drones, nebulous clicks and slow-nervous rhythms.
the territory of irrational is a most functional and hypnotic techno track perfect for your blackhole robotic-dance.
loss of logic comes also with an ace remix from the outstanding giorgio gigli who made a serious work on the beats creating a dense techno tunnel over the b-side.

locklead is one of utrechts best kept secrets with his signature mpc beats and a deep stompin flavor. he s been catching serious attention lately with his releases on slapfunk, hot haus, unknown to the unknown and soulfood. the a side madniz combines this years utrecht sound with locklead s signature raw warmth. dancing sub-bass and radiating percussion! roa tek is a bomb, ready to explode under your command. combining shuffling grooves, alien noises and an earthquake sub. handle with care.

serious long player business from boxwork. 14 tracks that move in and out of ambient and forward thinking electronic territories. comes loving packaged from the shades family.

some serious 1970’s afro dancefloor hits, surely a promising favorite among deejays, afrofunk and tropical music revival aficionados. vinyl diggers can finally play some of ivory coast’s hardest to find deep funk, afrobeat, manding and tropical rhythms tunes recorded by such legends as moussa doumbia, de frank jr or francis kingsley.

make it funky is an edit / rework of rim and kasa love me for real taken from the sought after 1982 12inch too tough on sum sum records. alkaline has toughened it up in the percussion section to enhance the serious pig skin workout that drives this afro boogie bomb. and the vocals will have the dance floor shouting out in unison

escorting sarah, a diy techno project that explores musical desires through the fetish of wax and the lust of hardware, return for a second instalment. kicking off with ‘video shop’, cavernous drums and discordant vocal shards rip throughout whilst ‘curb crawler’ is , a heady wall of sound that delves deep with a serious punch. ‘hotline’ rounds things off with a laser guided assault on the senses.

a year after his last outing on the label, metamethod is back with a second ep for nightime drama. the man born simon haynes is a veteran of the scene who has worked under many different aliases and is now back at the techno frontline, creating the same sort of powerful grooves that made him so essential back in the 90s. ‘exoshift’ opens things up with a lurching, low sung beat that rocks back and forth as frazzled synths and rusty frequencies skate about up top. it’s body music that really makes a mark while ‘autofac’ then slips into more of a forward moving groove with prickly percussion and woodpecker hits all driving along a bleak techno landscape. last of all, ‘superlifter’ marries bulky, broken sounding drums with celestial pads that glow white amongst the murk and greyness of the rest for he track. it is atmospheric, grainy techno for serious heads only.

none of that run-of-the-mill grind, but a heady cocktail, where the best psychedelic elements from 1960’s san francisco meet mississippi blues in a garage, with serious intentions. the phat bass lines and the funky and rich drumming build a house, where fiery and earthy slide will take no prisoners. the cherry on the cake comes by courtesy of honey b’s singing. think of updated memphis minnie and you’re close. she hails from finland.

globe trotting crate digger daniel t, exploded on to the scene with a string of releases after his amazing debut tetrachromat on young adults a couple of years back. daniel has been growing some serious gems in his laboratory. two gems that have come to maturity and have been plucked for the fahrenheit/celsius ep on cosmic pint glass records. daniel has crafted something special in these two cuts. beautiful, bouncy and positive tracks that work as well on the dance floor as in the soundtrack to a road trip. after hearing them, cpg called in their top men lauer and jack pattern for remix duties.

tucked away in a now not-so-quiet corner of south east london, wholemeal have been quietly, unobtrusively getting shit done. wholemeal music’s freshman release hits the shelves this month featuring two cuts from yam records boss tom esselle and a hoofing remix from fellow south-londoner west norwood cassette library. skilfully treading the line between house, techno, and jazz, the a-side, until she spoke is a superlative exercise in light-touc h sampling and devastatingly effective rhodes work. it shuffles then stomps, hypnotises then elates, bringing together disparat e threads to create something for the head and the heart. the title track, garibaldi, maintains the light-touch sampling thread and then takes it to a whole new plane of drum-driven dancefloor detonation. twisting chord hits whirl around a savage interplay between bass and drums before dropping back to an elemental pounding, bypassing the brain and heading straight for the feet. long time wholemeal friend and serious contender for the nicest man in music award bob wncl has very kindly picked up garibaldi by the scruff of the neck, grafted an enormous pair of junglist balls onto it and kicked it screaming across t he dancefloor. this is about as peak-time as it gets. wait for the wall of bass after the second drop, its enough to stop you breathing.

a rare vinyl treat from the ever-surprising crookers, this white label 12inch features four tracks that you wont find anywhere else. full of seriously infectious melodies, and equally infectious house beats, crkrs 001 is for those that enjoy a very eclectic style of house groove. always on point with his productions but never one to take either a deadly serious or a formulaic approach, crookers four tracks on the ep have distinctly different flavours while remaining true to his subversive style. lead track innocent kicks things off with a statement beat, cutting through the quiet with minimal percussion. building a patchwork of loops and hooks, the track develops intelligently accompanied by baxters soaring vocals. thats just the beginning for crkrs 001, next track regular sunday introduces one of crookers signature minor chordal arrangements, then the return and drug dealer judgment toy playfully with unexpected vocal samples. grab one of these strictly limited edition run of 200 copies before they get snapped up.

four intense and explicit tracks from the darkest vaults of oblivion. made to meet your higher self in a spiritual surrounding of non physical yet illusional vibrations. lol just kidding - but still, some serious low end hammering going on here.

realness: if there was one word you’d use to sum up parisian house dealer phil weeks that would definitely be it. he’s never kowtowed to trends or hype. he’s never compromised. he’s never lost focus of his primary goal: to make undiluted, straight-up house music that physically moves you.nearly 20 years deep as a dj, artist and founder starting the new year with a serious statement of groove intent, the eight track package is the follow up to his successful 2012 collection ‘raw instrumental’. his fifth studio album in total, the title says it all: rawness and full focus on both the dancefloor and the best creative djs. no messing around, each track is tailored for total mix and party pleasure and covers every shade of the night. it’s peaky business from the off as phil lights the fire with ‘the rhythm’ an incendiary burner that sp flexing a classic blaze sample, all the elements build with the bulldozer drums and subs pushing relentlessly. ‘oh baby’, meanwhile, slips us into a something slinkier with its bumping deep drum shuffle and optional instrumental.

vanguard sound! founder and head honcho, amir alexander returns with the ep that marks a turning point for the label. the 10th degree uzi ep is the first release to come with the official logo artwork. a1 features risque female hip house vocals over a chugging acid groove. a2 has a crazy sounding british lady talking about rocking the dance floor with her supernatural sound uzi over a house piano loop and deep dirty bass line. b1 is an urgent, odd-time signature acid house club destroyer, and b2 is dark, melodic, textured techno that mourns and laments the seedy underbelly of the average after party. vs011 is the beginning of a new era for the label. it marks the transition from rookie to veteran status label-hood. serious dj weaponry.

yay is happy to announce the debut of yakine on its label with a four tracks ep. this new selection of tunes is the product of some serious studio sessions, incorporating retro equipment to channel his devotion to techno into four sparkling new slices of analogue funk. taking influence from techno kings like underground resistance, yakine rolls out four interlinked pieces of cosmic electronica, created with an old roland r8, modular synths and a whole heap of analogue effects, which all form part of a journey into the stars and beyond...

utopus is ion d s project that deals with tehno heresies, not-minimal and fragmented melancholy. ion d is the ubiquitous main character of future nuggets standing as a producer behind many entities like steaua de mare, raze de soare, australopitecus oltensis, co-producing delusion men and appearing under different cameos in both volumes sound of the unheard from romania. on p-balans imprint utopus will endevour with club-oriented laboratory work, keeping intact the delics of each genre compressed in the amalgan. set yourselves up for some balanced grooves augmented by unfinished melodies, abstract dramaturgy and very serious tehnodelic motors.

its been some 7 years since reggie dokes was last seen & heard on a wph release, so safe to say this one is long overdue. our detroit hero took a bit of a hiatus from music production in recent years, but he is back and has been cooking up some serious heat. on wph 004 one of the tracks received a slight edit treatment by fcl and so red d decided it would be a nice twist to do the same on this one. but seeing as san soda was globe-trotting again red d handled the edit duties solo. which is all academics really, because in the end its about reggies unique detroit sound. transpose & jazz is my mistress will appeal to any adventurous dance music dj because they cannot be categorized or compared to anything. they are reggie dokes tracks and reggie dokes tracks are what they are: reggie dokes tracks

the first track, moaning, has a linear feeling at the beginning: a layer of bass lines makes your feet move instantly until some subtle piano sounds come in at the perfect moment. it creates an atmospheric vibe and when the bass kicks in again, everything seems to fall into place. cosmjn’s interpretation is, as expected, more serious and it has a no-nonsense approach: stripped of the melodic piano sounds, a strong bass line takes over, which makes for an interesting contrast to the original track.
if moaning was a more gentle track, fr sa su is a little bit different: dance floor oriented, the rhythm is certainly higher and it has some intriguing background sounds that go hand in hand with the powerful bass that grows on you from the start of the track. the florian meffert remix closes this ep and it goes out on a strong note: it is a complex track with very different elements and sounds that complement each other just right to get things going.
with early support from: barac, mihigh, dubtil , cristi cons, petre inspirescu , sepp , crihan

record 2 of the altone0008/0009 double-pack contains 3 new burners with the monster tune mamas theme song edited by special guest darryn jones, as well as a serious gospel groove teach me lord mcarved up by tone b. nimble and the silky smooth self love edited by al bumz! paper sleeve